Stability of Treatment from Earth-Based Mortar in Conservation of Stone Structures in Tanais, Russia
Patterns of Style, Diversity, and Similarity in Middle Orinoco Rock Art Assemblages
Nondestructive Analysis of Wall Paintings at Ostia Antica
Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products
Characterizing the pigments and paints of prehistoric artists
The earliest boat depiction in Northern Europe: Newly discovered early Mesolithic rock art at Valle, Northern Norway
Dance scenes in levantine rock art (Spain): A critical review
The visual psychology of European Upper Palaeolithic figurative art: using Bubbles to understand outline depictions
The body of hierarchy: Hand gestures on classic Maya ceramics and their social significance.
The glass walls of Samarra (Iraq): Ninth-century Abbasid glass production and imports
The earliest Chinese ceramics in Europe?
Unraveling the polychromy and antiquity of the Pachacamac Idol, Pacific coast, Peru
Changes in traditional building materials: the case of gypsum in Northern Spain
Provenancing of pottery from Kamuiyaki Site in East Asia by neutron activation analysis
Analysis of the geometric and natural properties of courtyards in historical houses of Isfahan (Iran)
The origins of low-fire polychrome glazed pottery in China
Mortars and plasters – How to characterize mortar and plaster degradation
Visiting Palaeolithic Art-Explorations and archaeological implications in Cueva De Las Monedas, Spain
Pigments—the palette of organic colourants in wall paintings
Red-coated rocks on the seashore: The esthetics and geology of prehistoric rock art in Alta, Arctic Norway